The Big Sleep Miller: “A rhetorically sound definition of genre should be centred not really on the compound or kind of discourse, although on the action it is accustomed to accomplish, ” – shape audiences accord to engage them in the text message – common of TRADITIONAL crime hype GENRE – Crime fictional gives the audience what it DEMANDS – Convoluted plotline the actual audience “objective viewer” – Critique the broken world and the values of heroes – Livingston, “different types are concerned based on a world views…” – Colette, “romance pervades oral and written story-telling as far back as could be traced” Anil’s Ghost – Nihilism and post-modernism – Texts obstacle audience’s life perceptions; Cole: “This can function as a type of social demonstration and reform… giving criminal offense writers the status image of interpersonal activists. ” More on VALUES
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