The Divine Humor

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T. H. Eliot is regarded as one of the greatest authors of the twentieth century great poetry was greatly motivated by Dante Alighieri. Eliots introduction to Dante was in his college years at Harvard, where he studied philosophy. Eliot read Dantes works widely in college or university and may include meant to apprentice himself to learn everything he could from the master (Sloane).

Dantes impact on on Eliot include appearances by way of immediate quotations, comparable images, and thematic elements. The direct quotations are simple to find since they are written in Italian, but there are also lines from Dantes works which have been translated and slightly modified to fit into Eliots poems. Dantes images are also frequent among Eliots works. Eliots view on the planet as a chilly and destitute place was greatly motivated by Dante and his visions of Heck. Similar themes are also noticeable, Eliot typically uses designs such as solitude from Dantes works to show his personal inner emotions. At least one of these 3 elements can be seen in most of Eliots works, therefore it is obvious that Dante influenced Eliot.

The influences by Dante in The Love Track of T. Alfred Prufrock include direct quotations and thematic elements. In Prufrock the narrator, Prufrock, appears to be addressing a potential lover. Yet , Prufrock is aware too much to merely approach the girl, in his mind he can listen to other peoples voices mocking and taunting him. Prufrock is very timid about conveying his feelings, and he can only showing us, you, under the supposition that no-one else will hear him admit to his anxiety about others judging him. The complete poem is approximately Prufrock detailing why he cannot communicate his feelings of love to the woman this individual admires.

Dantes influence first appears in Prufrock like a direct estimate from The Divine Comedy while the initially epigraph:

Sio credesse che mia sentenza fosse

A persona che mai tornasse al trasparente

Questa fiamma staria senza piu scosse.

Mother perciocche giammai di corrente fondo

Low torno festón alcun, siodo il vero

Senza argomento dinfamia ti rispondo. (1-6)

The device literally means, If I thought my respond were to one who could ever return to the world, this flame will shake no more, but seeing that, if what I hear is true, non-e at any time did come back alive using this depth, I answer you without anxiety about infamy (The Love Tune of L. Alfred Prufrock by To. S. Eliot). This pieces the develop for the rest of the poem, Prufrock can speak his disgrace only because this individual thinks no person who hears his confession will condemn him for his cowardice (Drew 827).

Prufrocks fear of humiliation seems to be his own personal Terrible, the idea of people having their particular personal Hell is a thematic influence coming from Dante. Dantes work, The Divine Funny, is a system of different editions of Terrible. In Prufrock it is apparent that Prufrock is sense anguish more than his failure to express his love pertaining to the woman he admires (Bloom 17). Eliots frustration shows up when he can’t decide whether to speak to the girl:

As well as there will be time

To wonder, Will i dare? and, Do I challenge?

The perfect time to turn back and descend the stair

With a balding spot during my locks

[They will say: Just how his curly hair is growing thin! ]. (37-41)

Prufrock is obviously frustrated and is also even self conscious of his bald place when he is definitely contemplating whether to tell over he really likes how this individual feels. Prufrock is so worried about his appearance that even when he is planning to speak to over, he can’t stop thinking about what other folks think of him. Prufrock finds his lack of ability to go on with life without worrying what other persons think is definitely making him miserable, rendering his personal Hell.

Dantes affect appears again in the form of photos and styles in Eliots The Wasteland. At the beginning of The Wasteland there is also a description of a prophetic, apocalyptic journey into a desert waste. Near the end there is a extremely obscure section where the narrator walks through the streets of London inhabited by the ghosts of the useless. The narrator meets a ghost and asks him what happens to the corpses inside the ground. Part one ends with a famous line from the preface of Baudelaires Fleurs du Vacio, You! hypocrite lecteur! -mon semblable, -mon frère! (76) This estimate is accusing the reader of sharing the poets sins (Martin).

In the following passageway from part one, Eliot describes commonalities between the masses and the circulation of spirits into Terrible in Dantes Inferno.

Under the darkish fog of your winter daybreak

A large group flowed above London Bridge, numerous

I had not thought death had unfastened so many.

Sighs, brief and occasional, were exhaled

And each gentleman fixed his eyes just before his toes. (61-65)

These types of city dwellers will be lost and lacking values and darned to Heck for all everlasting. The explanation of London as an Unreal City suggests that the corruption inside the city can not be imagined and seems like Hell to Eliot (Bloom 42). Near the end of part one, once Eliot estimates Baudelaires Fleurs du Inconforme, the offer implies that the poet and the reader have got sinned, hence damning them to Hell. This kind of exemplifies the theme by Dante that every person offers sinned and they will go to their particular personal Hell.

Dantes influence becomes apparent in part five of The Wasteland when Eliot takes a picture directly from Dantes Inferno. The first half the section builds to an apocalyptic climax, while suffering people become hooded hordes swarming and the a fantasy cities of Jerusalem, Athens, Alexandria, Vienna, and Birmingham are damaged, rebuilt, and destroyed once again. The poem ends with seemingly arbitrary fragments of childrens songs, works from Dante, and works via Elizabethan crisis.

Dantes influence in part five expresses the effects of seclusion on the mind. In the subsequent excerpt, the portrayed is definitely taken directly from Dantes Dolore where Ugolino, who is darned in the most affordable circle of Hell intended for treachery, listens to the storage of the crucial turning to locking mechanism him fantastic children in the Hungry Tower system to starve to loss of life (Drew 838).

I possess heard the important thing

Turn in the doorway once and turn into once only

We think of the key, every in his penitentiary

Thinking of the important thing, each concurs with a prison

Simply at nightfall, aethereal rumours (411-416)

Eliot connects this passage with all the reality of human seclusion and the idea that memories could be painful regardless if only you can easily see them without one otherwise can.

Once again, Dante impact on Eliot in the form of descriptive symbolism in The Hollowed out Men. The Hollow Males is an explanation of how the hollow men could not choose their fate, unlike Man Fawkes, who Eliot makes an allusion earlier. Fawkes plotted to explode Englands Home of Commons in 1605, but was imprisoned before this individual could trigger the nitroglycerine nitroc. Fawkes was executed, although he decided to go with his fate, unlike the hollow men who may actually have no control over their desired location. Eliot often mentions diverse kingdoms wherever souls happen to be being kept, these kingdoms bear a striking resemblance to Dantes visions of the afterlife inside the Divine Comedy.

The commonalities between the Kingdoms mentioned inside the Hollow Males and Dantes visions in the afterlife are exceedingly similar. Deaths other Kingdom in The Empty Men relates directly to Dantes Inferno, in which the violent souls go. Eliots Deaths Dream Kingdom, in which those who are battling towards redemption go, is amazingly just like Dantes Purgatorio. When the hollow men happen to be waiting to cross the tumid lake, the lake is similar to Dantes River Acheron, the riv that separates Purgatorio and Inferno. The Kingdom of God is comparable to Dantes Paradiso (Southam 99).

The hollow guys are also similar to the souls in Dantes Ante-Hell of Neutrals. The empty men passed away without waste, but they were not praised possibly. The idea of the Ante-Hell of Neutrals is similar to the Catholics belief that babies who were not baptized dont head to Hell since they have not yet committed any kind of sins, but they cant go to Heaven mainly because they have not really been solved of the first sin. Rather these spirits go to purgatory. These souls, like the Hollow Men, tend not to deserve being recognized as chaotic souls since they have not really done nearly anything wrong. The hollow men have Gathered with this beach from the tumid riv (60) where they will stay because they don’t have satisfactory reasons to be in Inferno or perhaps Paradiso. Both of these beings have been forgotten mainly because they were neither good neither evil (Bloom 61).

Dante Alighieris impacts on T. S. Eliots poetry outstanding examples of Eliots expressions of emotions through his poems. Eliot have been accused of stealing most of Dantes suggestions, although they seem to be well integrated in Eliots poetry. It truly is apparent that Dante features influenced Eliot in the form of direct quotations, comparable imagery, and comparable thematic elements.

Works Cited

Bloom, Harold, ed. Capital t. S. Eliot. Chelsea House Publishers, 99.

Received, Elizabeth, education. Major United kingdom Writers. Harcourt, Brace World Inc., 1959.

Matn, Melissa. SparkNote on Eliots Poetry. nineteen Mar. 2006 &lt, http://www. sparknotes. com/poetry/eliot&gt,.

Sloane, Patricia. Notes and Observations on Capital t. S. Eliots Early Poetry. 19 Mar. 2006 &lt, http://web. missouri. edu/~tselist/sloane1. html&gt,.

Southam, B. C. A Students Guide to the Selected Poems of T. H. Eliot. fifth ed. Faber Faber, 1990.

The Love Song of J. Alfred Prufrock by simply T. H. Eliot. twenty Mar. 2006 &lt, http://etext. virginia. edu/railton/enam312/prufrock. html&gt

Willard, Jeff. Fictional Allusion inside the Hollow Men. 15 Mar. 2006 &lt, http://bosp. kcc. hawaii. edu/Spectrums/Spectrum2000/literary. html&gt,.

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