Burlesque and diegetic trolling analyzing the

Ulysses The “Eye, ” “Aye, inch and “I’s” have it. Indeed, the ‘Cyclops’ show is familiar at a glance. Following ‘Sirens’ melodic fugue, the twelfth phase sees a swift transform, both in tone and form. The narrative shifts into a mysteriously verbose I-narrator, and relates Leopold Bloom’s come across with ...

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