Salman Rushdie

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Make sure you allow me to present myself, as well as Im a guy of riches and flavor, / I have been around for any long, long year / Stolen a large number of mans spirit and faith / as well as Pleased to fulfill you / Hope you guess my own name sings the gravelly voice of Mick Jagger at the beginning of The Rolling Stones Sympathy for the Devil. After admitting responsibility intended for the temptation and death of Christ, the homicide of Czar Nicholas 2 and his family, and the German Blitzkrieg of World War II, the narrator argues that all humans contain a combination of good and evil, which even this individual, the narrator, should receive several sympathy. This individual sings, In the same way every cop is a lawbreaker / And the sinners, Saints / As brain is tails, / Simply call myself Lucifer

Unlike Jaggers Lucifer, the narrator of Salman Rushdies The Satanic Verses never clearly reveals his identity. Almost all of the novel can be narrated within a multiple third-person style, where the narrator employs various several characters, and has use of all of their thoughts and every thing they see. However , the narrator occasionally inserts him self into the account, in a series of very short passages that are written in the first person. During these passages, the narrator not-so-subtly hints that he is the satan himself, Satan. This improvements the tone of the entire novel. Satan is the complete opposite of an goal narrator, traditionally, he may not be trusted. Inside the New Legs, he possibly goes in terms of to induce Jesus, the son of God, to suicide: Then this devil took him to the holy metropolis, and set him on the pinnacle of the serenidad, and believed to him, If you are the Son of God, chuck yourself down’ In the Heiliges buch des islam, the devil, once cast straight down, says, Let me surely make all fair seeming to them on the earth, Let me surely beguile them all, and the Koran says of those whom are beguiled, And verily, Hell is definitely the promise on their behalf one and all. In these holy texts, the devil can be not to always be believed, this individual seeks the downfall of humanity. This reputation casts doubt after everything that the narrator in the Satanic Passages says. Moreover, it shows that the narrator of the novel has an schedule in showing this particular tale.

Satan, the narrator of Rushdies The Satanic Verses, throughout the story in the novel, and particularly through a comparison of himself with his double, Saladin, is trying to prove to his human visitors that this individual deserves payoff. This is not an easy task this Satan must get over the standing he features gained through centuries of spiritual texts and literature and in many cases pop tunes such as Jaggers. Satan performs this by orchestrating the actions of the story, and, through the figure of Saladin Chamcha, who appears like Satan in name and, temporarily, in visage, the narrator states that even those who make truly nasty acts should be able to redeem themselves.

Although the narrator by no means names him self directly, it is strongly recommended from the beginning of the book that dr. murphy is the Devil. The very first thing the narrator does to create himself in the story is always to raise the issue of his identity. He asks, Who also am I? Who else is there? This might suggest that the narrator could be The almighty, or Jahve, himself. Nevertheless , this is showed be wrong. Only a few web pages later, the narrator says, I know the fact, obviously. I watched everything. As to omnipresence and potence, Im making no statements at present, although I can take care of this much, I am hoping Who am I? Lets put it this way: that has the best music? (10). In line with the online notes for the novel, this is an allusion to a answer of David Wesley when he was reproached for placing his church hymns to popular tunes for the effect the fact that Devil shouldnt have all the best tunes. The allusion might work the two ways, nevertheless , even without the obscure research, the verse clearly insinuates that the narrator is Satanic God would definitely be able to make claims to omnipotence.

In the third section of The Satanic Verses it can be made even clearer that the narrator can be Satan. He says:

Higher Forces had used an interest [in Saladin and Gibreel], it should have been completely obvious to them both, and such Powers (I am, of course , speaking of myself) have a mischievous, nearly a wanton attitude to tumbling flies. And another thing, lets be clear: great falls change people. You think they will fell quite a distance? In the matter of tumbles, I deliver pride of place to no personage, whether mortal or im-. From clouds to ashes, down the chimney you might say, from heavenlight to burning fire under the anxiety of a very long plunge, I used to be saying, mutations are to be anticipated, not all of those random. Abnormal selections (133).

The narrator can be acknowledging the connection between Gibreel and Saladins fall from the exploding Bostan and Satans fall by Heaven in Miltons Paradise Lost. Miltons epic composition begins with Satan in Hell, after Him the Almighty Power / Hurled headlong flaming from a ethereal heavens / With hideous wreck and combustion down as well as To endless perdition Satans appearance is definitely changed by his show up, although not substantially at first, he above the rest as well as In shape and gesture proudly eminent as well as Stood like a towr, his form had yet not lost / All her original brightness. Satan is definitely a higher electrical power, and the very best of the fallen archangels, in the rebellion he fell the farthest. Simply by claiming When it concerns tumbles, My spouse and i yield pleasure of destination to no personage, the narrator of Rushdies novel can be slyly admitting that he is the Devil himself.

The question then develops as to whether, in the world of The Satanic Verses, the devil can also be Our god. When Goodness appears resting on Gibreels bed, Farishta asks, Whom are you? Ooparvala, the spirit answered. The Fellow Upstairs. How do I know they are not the other One, Gibreel asked craftily, Neechayvala, the Dude from Under? ‘ (318). To answer the question, Gibreels visitor creates a massive storm and says, Whether We become multiform, dual, representing the union-by-hybridization of such opposites as Oopar and Neechay, or if We end up being pure, abgefahren, extreme, will not be resolved below (319). This kind of passage shows that God and Satan might be one and the same. Nevertheless the apparition would not definitively response the question of his nature, as Rekha Merchant remarks to Gibreel, saying, We wouldnt trust that Deity of yours either, merely were you, he hinted as much himself, fudging the answer to your Oopar-Neechay question just like he did (323). Rekha tries to inform Gibreel that the Devil and God are one getting, but she actually is lying. She says

This notion of splitting up of capabilities, light vs . dark, bad versus very good, may be uncomplicated enough in Islam To, children of Adam, allow not the Devil seduce you, but return back a bit therefore you see that it is a pretty latest fabrication. Amos, eighth 100 years BC, asks: shall generally there be evil in a metropolis and the Lord hath not dine this? It isnt until the Book of Chronicles, merely the fourth century BC, that the expression shaitan is used to indicate a being, and not just an attribute of Our god. (323)

Rekhas point is actually a strong 1, and the lady isnt alone in making this time. Early in the 2nd Hundred years CE, a philosopher known as Valentius established a school that speculated the fact that origin of darkness, and thereby with the dualistic rift of being was located in the godhead itself. However , I would personally argue that Vendors argument, though based in the real doctrine of certain beliefs, is eventually false. We all already know that Rekha is a demonic spirit, as Gibreel falls from the Bostan at the beginning of the novel, states to him that she comes from Heck, because thats where you dispatched me (8). Because she is demonic, nothing she says can be trusted. Nevertheless the Rekha whom makes the point about the separation of functions is not the actual Rekha, Gibreel realizes which the speech was one of which the real Rekha would plainly have been incapable (323). This Rekha, the apparition, is an entity designed to test out Gibreel. Shortly after her presentation on the mother nature of good and evil, this individual realizes she’s false, and says, Its a technique. There is no The almighty but Our god. You happen to be neither the Entity neither Its attacker, but only some caterwauling mist. Not any compromises (335). Rekha goes away, defeated along with her lies.

Yet Rekhas argument nonetheless seems to have potency because the narrator himself, when he appeared to Gibreel, claimed to be God. It truly is eventually revealed that the Deity who visited Gibreel about Alleluias pickup bed was indeed the narrator of the story. He admits it, stating:

Im expressing nothing. Don’t ask me to obvious things up one of many ways or the additional, the time of revelations is usually long gone. The principles of Creation are quite clear: you place things up, you choose them therefore and so, and then you let all of them roll. Wheres the delight if youre always intervening to give suggestions, change the rules, fix the fights? Very well, Ive recently been pretty self-controlled up to this time and I never plan to mess up things right now. Dont think I have not yet wanted to butt in, I use, plenty of times. And once, it is true, I did. I sitting on Te deum Cones pickup bed and spoke to the superstar, Gibreel. Ooparvala or Neechayvala, he wished to know, and I didnt explain to him, My spouse and i certainly dont intend to blab to this mixed up Chamcha rather. Im going out of now. (408-9)

In this passing, the narrator, like Rekha, tries to suggest that he is God as well as Satan, but this individual never will take credit to get creation, which narrator contains a penchant to get bragging about all of his deeds, through the metamorphoses of Saladin and Gibreel for the above spirit. When the narrator says he didnt enlighten Gibreel, he means that this individual lied to him the apparition said that it was via Heaven, and he was not, he was from Hell.

The narrator is not God, he is Satan, satan, Lucifer, by any term Gods enemy. The narrator cannot be Goodness, because in his opening statements, he admits that he could be not allgewaltig or omnipresent, and most probably not omniscient either. These traits would definitely be present in normally the one true Goodness. With his Internet marketing making simply no claims at the moment, the narrator hints that he, Satan, the angel who would be but is not The almighty, still wishes these things. In Rushdies The Satanic Poems, if there is a single God that is certainly opposed to satan, he by no means shows him self. The narrator says, From the beginning men applied God to justify the unjustifiable. Tiny wonder, then simply, that women possess turned to myself (95).

The narrator could have informed the story of Gibreel and Saladin without revealing his identity, he chooses not to. Satan chooses to almost confront his readers with his identity, demanding us to think him despite his reputation. In the Gospel, Jesus describes the devil, declaring, He was a murderer right from the start, and has nothing to do with the truth, as there is no fact in him. When he lies, he talks according to his individual nature, pertaining to he is a liar plus the father of lies. Miltons Satan says, For simply in eliminating I find ease / To my relentless thoughts Rushdies Satan does not deny any of these accusations instead he tries to get over his past through a straightforward inductive argument: if a man, who rejects his daddy and commits unspeakable works, can get forgiveness via those this individual has damaged, why should satan not be given that same redemption? To create this argument, he requires the charming and likeable Saladin Chamcha, turns him into a list, and lets us watch since the world enables Saladin to atone for his violations.

Saladin begins the novel as a likeable and understandable physique. He is initially described, once falling from the exploding Bostan, as buttony, pursed Mr Saladin Chamcha (4), an outline which, while not exactly excellent, is certainly easier to identify with than Gibreel, who will be gyrating and singing nearly unintelligibly as he falls. The narrator continuously emphasizes Saladins humanity in extraordinarily physical terms, when he lands securely on the ground, Saladin Chamcha coughed, spluttered, opened his eyes, and, as befitted a new-born babe, burst into foolish tears (10). Saladins childhood, even though privileged, was able to evoke pity in the audience. When the ten-year old Salahuddin loses the fabulous set (35) of the found wallet, when he imagines his dream-city, ellowen deeowen London (37), when the thirteen-year-old Chamchawala is usually molested on the rocks outside his home, we empathize and identify with him within an extremely pasional way. Saladin never disgusts us like the womanizing, halitosis-infected Gibreel. Saladins loves, showed us inside the seventh book, allow us to understand the actual essence of his becoming: Culture, metropolis, wife, and a fourth and final love, which he had used to nobody: the love of the dream his imagined boy (400). We all understand Saladin, we know and discover in ourself his hopes and dreams.

Naturally , even before he could be transformed into a satanic contact form, Saladin is usually not perfect. He is hitched, and promises to like his wife, but he went to foundation with Zeeny Vakil inside forty-eight hours of arriving in Bombay (51). Yet perhaps precisely what is most alienating about Saladin is his rejection of his previous. The narrator admits that this can be seen since odious, expressing, A man whom sets out to make himself up is taking on the Designers role, relating to one means of seeing issues, hes unnatural, a blasphemer, an crime of phobie. But also this is not genuinely despicable, Satan goes on to declare immediately, From another viewpoint, you could observe pathos in him, heroism in his have difficulties, in his willingness to risk: not all mutants survive. Or perhaps consider him sociopolitically: most migrants master (49). Saladins faults, although not insignificant, will be understandable, he can not a unusual and gross Bollywood idol like Gibreel.

Even before he transforms, Saladin stocks and shares several characteristics with Satan. Both Satan and Saladin reject their very own fathers. Satan, rebelling against his Our god, created this sort of strife that he was players out of heaven: And the great monster was chucked down, that ancient serpent, who is known as the Devil and Satan, the deceiver with the whole worldhe was placed down to our planet, and his angels were placed down with him. In Milton, the faithful angel Abdiel will remind Satan, As by his Word the mighty Dad made / All things, evn thee, and Satan responds, Doctrine which we would know whence discovered: who observed / The moment this creation was? Rememberst thou / Thy making, while the Manufacturer gave thee being? We all know no time when we were not as now. Satan denies that his father is responsible for him, and in accomplishing this, is ensemble out of heaven.

Saladins being rejected of his father is available in a different contact form. At first, Saladin distances him self from his father. This individual rejects his fathers second wife with out meeting her, obtains English citizenship, turns into an actor, directly against his dads wishes, and in the end stops communicating with his father. But then, when he first results to India, instead of question the importance of his dad in his life, Saladin blames all of his faults on his father:

Of what performed the son accuse the father? Of everything: espionage on child-self, rainbow-pot-stealing, exile. Of turning him into what he may not have become. Of making-a-man of. Of what-will-I-tell-my-friends. Of irreparable sunderings and attacking forgiveness Above all, of magic-lampism, of being an open-sesamist. Almost everything had come easy to him, charm, females, wealth, electrical power, position. Apply, poof, einstein (umgangssprachlich), wish, at once master, hey presto. He was a father who had promised, then withheld, a magic light. (69).

Saladin, after his attempt to escape his father, right now tries to pin the consequence on his your life upon Changez Chamchawala. Changez, years before, had adored his kid infinitely, in his own way. He had directed his boy to Great britain for the best education possible. Ahead of the plane took off, Changez made a irrational motion that Saladin could later do it again when soaring, trying to never let his son find him carrying it out, [Changez] entered two pairs of fingers on each hand, and rotated both his thumbs (41). I see this kind of as a plea for safety, Changez looked afraid of the dangers of traveling by air and desired to protect him self and his child however this individual could. Changez cared, most of all, for his sons safety and development into a gentleman. Forcing Saladin to pay for the 1st time in London was intended as being a life lesson that would advantage the young man for the rest of his life. Yet because of Saladins continued rebellion, Changez is eventually forced to sever his ties to his boy. Face this, mister: he says, I dont explain you any more (69). Like Our god, Changez is forced to cast aside his brightest star.

Once he returns to England coming from India, fallen from his fathers grace, Saladin starts to resemble the Devil physically. He becomes hairy, his feet turn into hooves, he builds up horns that grow the two thicker and longer, twirling themselves in fanciful ornement (275), this individual sprouts a thick facial beard, a end, and an everlasting, giant penile erection. His breathing becomes as foul since Gibreels was. In the final stages of his physical transformation, this individual grows to massive height, and smoke cigarettes began to issue from [his] pores (294), he breathes fire. Nevertheless , the real modify comes once Saladin acknowledges the bad that is out there within him.

Inside the first half of the book, even if he divorces himself by his father and coming from his nation, even when he’s cheating in the wife, Saladin is, in the own approach, trying to the actual right issue, whether pertaining to himself, or for some notion of the good. This individual genuinely believes that England is better than India, this inspires his denial of his earlier self. But when his form provides finally changed completely in to that of a devil, he also appreciates that many of his impulses are wicked. The narrator says of Saladin, We am, this individual accepted, which i am. Distribution (289). Saladin admits that evil truly does lurk in the heart, and makes the decision to do something upon that evil by revenging himself upon Gibreel, the narrator comments, who also should the Satan blame nevertheless the Archangel, Gibreel? (294). This kind of passage is very similar to Satans sentiment in Paradise Dropped, So farewell hope, and with wish farewell dread, / Farewell remorse: all good to me is usually lost, / Evil end up being thou my own good. Saladin also sounds very much like Shakespeares greatest bad guy, Iago, does anyone say of his commander Othello, I follow him to provide my turn upon him / We am not what I are. Saladin, just like Iago and Satan, offers completely dropped from sophistication, and in this kind of moment is restored to his human being form, because he has found that, even as a person, he consists of evil.

Once Saladin has finished his ancestry by acknowledging his individual evil impulses, he tries a way to injure Gibreel. Saladin believes that he really wants to revenge himself on Gibreel for, his treason in Rosa Diamond jewelry house, his silence, practically nothing more (427). The narrator, though, says that Saladins true reasons go beyond revenge. Satan says:

Lets somewhat say a level harder point: that evil may not be since far below our surfaces as we want to say it can be. That, actually we fall season towards that naturally, that is certainly, not against our naturel. And that Saladin Chamcha attempted to destroy Gibreel Farishta since, finally, it proved very easy to do, the actual appeal of nasty being the seductive relieve with which one may embark upon that road. (427).

At first, Saladin can be not sure what exactly he wants to do to Gibreel. In Billy Battutas lavish get together, he approaches Gibreel, looking for some way to attack him. All Chamcha does, now, is to notify Gibreel just how Pamela started to be pregnant, Congratulate her mate, Saladin thickly raged. My personal old friend, Jumpy Joshi. Now there, I actually admit it, is actually a man. Women go untamed, it seems. Goodness knows for what reason. They want his goddamn infants and they don’t even hang on to ask his leave (429). Saladin innocently excites the jealousy of Gibreel, after Saladin remarks Jumpy, Gibreel chases over the unfortunate martial arts instructor and knocks him cold with an oar. The first time Saladin propels one other towards an evil work it is unintended, but it educates him Gibreels weakness, and begins his journey down the path to becoming an Iago. As he grows closer to Gibreel, Saladin more thoroughly understands Farishtas crazy jealousy, and the way to capitalize upon it. This individual thinks, You poor krydsning, you really ready off your wretched head at a rate of knots. Dont suppose means Ill let you away (436).

Having discovered his enemys weakness, Saladin begins to strike Gibreel. This individual starts small , and making a great offhand brief review about Allie: Shes undoubtedly a very eye-catching woman (438). Gibreels response, a glance filled with rage, tells Saladin that he offers chosen the best Achilles Heel to strike. Saladins later on attempts to incite Gibreels jealousy become more and more insidious, cruel, and unforgivable. The narrator even says, There is the moment prior to evil, then your moment of, then the period after, if the step have been taken, and each subsequent stride becomes slowly easier (438-9). Chamcha explains to Farishta the storyline of Strindbergs wife, whom left him because he was too jealous, and then wristwatches as Gibreel verbally violations his lover. Then, Saladin finally starts to make calls to Gibreel and Dismissal. He phone calls the addicts, using his thousand-and-one noises to raise Gibreels jealousy beyond daylight hours boiling point. Saladin becomes a poet, speaking his lines to Gibreel with the words of a kid, creating a fresh set of Satanic Verses:

I love coffee, I love tea

I prefer things you perform with me.

Tell her that.

***Rosy apple, lemon tart

Heres the identity of my sweetheart.

All

***Roses are red, violets will be blue

Sweets never felt as sweet as you.

Pass it on.

***When shes down in Waterloo

She dont put on no certainly she do

When shes up by Leicester Sq .

She don’t wear zero underwear

***Knickerknacker, firecracker

Sister! Boom! Peuh!

Alleluia! Alleluia!

Rah! Rah! Rah!

***Violets are green, roses will be red

I have got her right here in my bed.

Goodbye, sucker. (444-6).

With these verses, Saladin completes his metamorphosis in a demon, though his to the outside form remains human. This individual destroys Gibreels sanity, creating Farishta to commit a great Unforgivable Do something about Allie. Gibreel does not smother Allie because Othello wiped out Desdemona, he can much more inappropriate, destroying her past in the form of all her miniature Everests, including the precious one created by her guideline. Ironically, the first person Hurrah calls to find sympathy and tell of her break by Gibreel is definitely her phony friend and destroyer, Saladin.

Saladin has messed up Gibreel utterly, he features abandoned the excellent, he has changed into a new Iago, a new Satan, but in the near future thereafter he is forgiven, both equally by his discarded dad and the guy he has destroyed. While London can burn, Gibreel events through the city with his brass Azraeel, inhaling and exhaling fire upon people and buildings. This individual sees Saladin, whom this individual has discovered as the author of his show up from Alleluias grace, stuck underneath a fallen light beam in the Shaandaar Caf, between flames. Gibreel could leave the decreased Chamcha to die, but he:

allows fall his trumpet, syeps, frees Saladin from the prison of the dropped beam, and lifts him in his arms Gibreel Farishta steps quickly forward, bearing Saladin over the path of forgiveness in the hot night time air, so that on a night time when the town is at conflict, a night large with enmity and trend, there is this kind of small redeeming victory for love. (468).

Chamcha receives reports of his fathers impending death, and, instead of neglecting the moving of the daddy he chose to reject, makes a decision it was essential that this individual reach Bombay before Changez left this for good (511). Salahuddin finds out that he has reclaimed from the past (515), via his bad. Changez forgives his kid, Salahuddin shaves his dads face. This individual carries the weak old man to the bath room, his father says, you get the lamp, after all (529). Salahuddin inherits from his father the wonder lamp that is grace and salvation, This individual took the lamp from the shelf and sat in Changezs desk. Taking a handkerchief from his pocket, he rubbed quickly: once, twice, thrice. The lights every went on at once. Zeenat Vakil entered the space (533). When ever Gibreel confronts Salahuddin towards the end of the book, Chamchawala is truly repentant, facing death as a result of a gun, this individual thinks, having been going to die for his verses, nevertheless could not find it in himself to call the death-sentence unjust (546). Gibreel, once an angel, does suicide, Salahuddin, once the devil Saladin, rediscovers the love of his father, finds new love, and it is given a fresh lease on life. He learns that in spite of all his wrong-doing, weakness, guilt in spite of his humanity having been getting another chance (547).

The narrator explains to the story of Saladin Chamcha to raise a certain question: really does Saladin should have redemption? You cannot find any way that any visitor with a cardiovascular can say number Certainly, Saladins evil ruins the greatest relationship in the book, and results in the deaths of Gibreel, Sisodia, and Alleluia. But as they seeks redemption, because he confesses his fallibility, we do not begrudge him his salvation. Saladin does not end like Iago, the demi-devil whose previous words will be Demand me nothing. Whatever you know, you already know. / Out of this time forth I by no means will speak word.

The narrator is making a subtle argument throughout the action with the novel: if perhaps Saladin should get a second chance, then most likely all those who have commit wicked should be allowed to redeem themselves. The narrator may be Satan, he certainly has gone down from bliss, but he can not the Satan of the Bible, the Koran, or perhaps of Milton. The traditional Satan does not seek redemption, or perhaps readmittance in to heaven he seeks to mar Gods works on Globe, and, wills the Bad, and works the Good (417). This narrator isn’t that Satan. This individual does not strive to destroy Gods creatures, men, simply to alter them, to argue through all of them for his own payoff. His is usually not deductive, the Devil are not able to prove that this individual deserves to be saved. It is an inductive discussion, an argument simply by examples, if Saladin, while evil while the devil him self, can be preserved, why not the Devil himself? Saladin has discovered that even the most unforgivable offense of being kinds father could be forgiven, all things considered, in the end (513). Can Satan forgive his father?

There is a major drawback in the narrators argument: Satan is a higher power, a fallen archangel, Saladin is human. Saladin is kept because of and in spite of his mankind, a quality the fact that narrator lets us know repeatedly that he will not possess. This point would seem to suggest that the Devil, once an angel whom should have well-known better than humans not to get into evil, does not deserve payoff. But even against this stage, Satan acquits himself. Throughout his adventure, the narrator displays a very human knowledge of true emotion whether the appreciate of Te deum Cone and Gibreel Farishta, Rosa Diamonds and Matn de la Jones, Jumpy Joshi and Pamela Lovelace, or especially, Salahuddin and Changez Chamchawala. This kind of Satan knows the transcendence of hiking Everest and of sex, the overwhelming feelings and panache of Ayesha, the butterfly girl, the unbreakable connection between father and boy. The narrator made me weep with his story of Changezs funeral, The grave. Salahuddin climbs into it, stands at the head end, the gravedigger at the foot. Changez Chamchawala is lowered down. The weight of my fathers head, lying in my side. I laid it straight down, to rest. The world, somebody had written, is the place we confirm real simply by dying in it (533). No heartless demon could be capable of such impacting prose.

Satan succeeds. He wins, through Saladin, redemption, at least understanding, within our eyes. Another set of Satanic Verses revealed by the new is the narrators verses. Paradoxically, these Compared to are the novel, all 547 pages. These kinds of verses usually do not destroy, just like Saladins, that they create, and enable us to forgive. And it is heartbreaking that, for the narrator, there is absolutely no forgiveness via his father, the ever-silent God, who also never addresses once in the novel, under no circumstances offers his fallen angel-son forgiveness, a magic light fixture, or even compassion.

Bibliography

Brians, Paul. Notes upon Salman Rushdie: The Satanic Verses (1988). Online at http://www. wsu. edu/~brians/anglophone/satanic_verses/

Jagger, Mick and Keith Richards (The Rolling Stones). Sympathy for satan, Beggars Fête. London/Decca Information: 1968.

Jonas, Hans. The Gnostic Religion. Boston, Bacon Press: 1958.

The Koran. Transl. T. M. Rodwell. London, Guernsey Press Co: 1983.

Milton, David. Paradise Dropped. Ed. Jeff Elledge. New york city, W. T. Norton Company: 1993.

The New Oxford Annotated Holy book with the Apocrypha. Ed. Herbert G. May well and Bruce M. Metzger. New York, Oxford University Press: 1977.

Rushdie, Salman. The Satanic Verses. Nyc, Viking: 1988.

William shakespeare, William. Othello. From The Tragedies. Ed. Philip Alexander. New york city, The Heritage Press: 1958.

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