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Ozymandias
Romanticism generally struck English language artistic, literary, and perceptive culture throughout a time of political reform and upheaval, coinciding with the Age of Revolution. This era of transform allowed for the revisitation and revision of medieval works, turning them mostly in subjective poetry which emphasized the absolute depths of the poets’ psychology. The emphasis on feelings above logic brought exploration of the area of fantasy and imagination, in addition to an unbridled interest for mother nature and old relics with the past. Percy Bysshe Shelley’s “Ozymandias” exemplifies these features of the Romantic Age, and serves as a good example of Literary Romanticism.
According to its subject, this composition discusses precisely what is left of Ozymandias, the Egyptian Pharaoh Rameses 2, and the remnants of his legacy depending on the image of his figurine falling apart in the desert. The poem 1st begins using a general watch of the statue”two severed rock legs and a falling apart face resting in the sand”before delving in more detailed explanations like the stern expression on the statue’s deal with and the inscription on its pedestal. The engraved phrases present a proclamation of pride: Ozymandias was the “King of Kings” and all who stumble upon what is left of him will need to tremble and “despair” for his might. This declaration, unfortunately, comes upon hard of hearing ears and is also only welcomed by the huge, lonely vista of the wasteland sands forward.
“Ozymandias” is advised from the point of view of a loudspeaker who meets a tourist with a history to share and recalls the facts of the said traveler’s story. This composition mainly includes the character quoting the traveler’s terms, the former only speaking very briefly to supply context how the latter matches the rest of the poem. Therefore , there are little to no points of how this kind of speaker experienced towards Ozymandias. However , the 2nd speaker on this poem, the traveler, outdoor sheds more lumination onto their attitude towards what they witnessed during their quest. Despite the statue’s decaying illustration, the traveller makes notice of how Ozymandias’s eroded chuckle was “mocked” by the sculptor’s hands, thus presenting the lovely view that anything eventually falls to dust particles.
This kind of poem can be described as sonnet written as a obstruct of textual content in iambic pentameter. There are 14 lines, irregular and run-on, pursuing the ABABACDCEDEFEF vocally mimic eachother scheme. This poetic form conveys electricity and might, particularly when read out loud, and creates a sense of lyricism. The poem is then similar to a parable or lament, expressing profound emotion and presenting a moral lesson. Similarly, the usage of figurative products are also used to share meaning in this poem. There exists extremely solid imagery inside the descriptions from the broken statue, demonstrating the value within its shattered condition and thorough etchings. Besides this, the application of assonance in “an classic land” of line one particular and alliteration in line 5’s “cold command” emphasizes the respective mystique of far-off lands and stiffness in Ozymandias’s appearance.
“Ozymandias” possesses various themes throughout Romantic poems, such as exoticism, mystery, strong emotions, irony, and critique of higher authority. The points of the bleak desert and implications with the “antique land” represent the Romantics’ solid fascination toward nature, resulting in the traveler’s discovery of Ozymandias’s figurine. While it could have been intended to be a representation from the pharaoh’s strength and specialist, it became a caricature of who Ozymandias was. Forever locked within a harsh, disapproving expression, his legacy is definitely left to fade into the dust like a tyrant without followers to “look upon [his] works” anymore. Therefore, Shelley criticizes the pompous attitudes of modern political forces and presents the reality that their particular efforts will certainly disappear with their boastfulness in the foreseeable future.
To conclude, Percy Bysshe Shelley’s “Ozymandias” is a composition that effectively encapsulates qualities captured in various literary works from the Loving Period. Having a simple story about a fragmented statue found in the desert, Shelley provides the suggestions of exoticism, mystery, and irony, expresses criticism regarding the political specialists of his time, and maintains the strong detects, feelings, and emotions found within Romantic materials.
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