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In every stage and period in history, the black American is present, as demonstrated in the line of images repeatedly employed in the composition, “My spirit has grown deep like the rivers. “
The poem portrays the Negro as the main cause rather than a result of human world. “The Negro” is a famous narrative of the life of the black American. Evidently, he had been present where human civilization thrived. Thus, human being society on the whole has the obligation to preserve the race wherever humanity has possibly started or originated from. The dark-colored American competition traces their roots by humanity’s first peoples, and it is through all of them that humanity can learn more from their earlier and hence, they will appreciate the present and their upcoming better due to these direct descendants of the original humans that is known. Put in the traditional context, natural imagery and symbolism in “The Negro” gains more deeply meaning, relevance, and significance to the audience.
However , it is crucial to note the poem is likewise put in the political context that Hughes have been put in during his time. The poem, though written in a strictly historical context, can also be viewed as an effort to create understanding to the target audience about the regretfully sorry plight of the black American race mainly because it embarks within a new period and society – that may be, the period of intellectual and material improvement, modernism.
It might be apparent inside the poem that Hughes feels threatened with the emergence of modernism, fearing that the dark American history will be erased from the minds and brains of black Americans, particularly, and humankind, generally. For him, the prevalence of modernism markings the additional dominance with the white American, which means marginalization of the dark-colored Americans would prevail, and maybe, become suffered, in the same way that black captivity became the best practice in the 18th and 19th decades.
In line with this kind of argument, Higgins (1988) supports the claim regarding Hughes being averse regarding the assurance and eventual effects of modernism to humanity, and most especially, to the black American society. He contends that Hughes considers modernism as “intellectually pretentious, ” a period and movement in history wherein mankind loses it is significance, as well as the Negro contemporary society being put in danger of ‘social extinction, ‘ which means the eventual lack of the traditions and culture of the Photography equipment race. Intended for Hughes, humankind can only recognize its total potential is definitely he or she uses his/her abilities and skills rather than departing humanity’s predicament to scientific research, technology, and development, ideas that involve only machines, objects since commodities, and other tangible elements that sets greater value to the target itself rather than the maker of the object.
Lund (2002) expresses this dichotomy between modernism and Hughes’ belief in traditional way of living life. In her examination of the poets’ works, your woman argues that Hughes’ poems is laden with meaning that “intend to express each of our individual dark-skinned selves devoid of fear or shame… We understand we are beautiful. And unsightly too. In the event colored individuals are pleased, we could glad. If they happen to be not, all their displeasure does not matter possibly. We build our temples for tomorrow. ” This assertion from Hughes shows his individual meaning of achieving emancipation in the white American society. Instead of integrating himself to the contemporary society, he looks for to diversify himself and establish his own id as a dark-colored American, while using end toward achieving recognition of the black American heritage and lifestyle as an important factor that helped build and develop individual civilization.
This kind of end is usually expressed in “Dream Versions, ” a poem in which Hughes may express his true, specific self. Instead of poems that seek to achieve emancipation jointly, “Dream Variations” seeks to accomplish personal emancipation, a process where an individual accomplishes intellectual emancipation by clearing someone’s mind from virtually any prejudice and discrimination. Because evident in the composition, Hughes applied his subjective and personal understanding of what it is like like a black American in his world. In the poem, his getting black is usually associated with the darkness of the nighttime. For Hughes, it is only during the night time that differences among people reduce and give approach towards equal rights. However , because shown in the daytime, the Renegrido has however to experience equivalent status with all the white American, and inch[t]um fling my arms large in the face of the sun” can be but ideal that is however to work out as planned as fact and actuality for Barnes. Imagery and symbolism pervades “Dream Variations” in order to express this point or dichotomy. The poem looks for to get back together the dark-colored American’s wish for himself and his race and the hard realities that he experiences as a member of the marginalized competition in the prevailing white American society.
Aaron, Deb. (1988). “The life of Langston Hughes. ” The New Republic, Volume. 199, Number 15.
Barker, a. (1997). “Art of the soul males. ” History Today, Vol. 47, Number 8.
Huggins, N. (1988). “The existence of Langston Hughes: I dream a world. ” The country, Vol. 247, No . 9.
Hughes, L. E-text of “Dream Variants. ” Available at http://www.poets.org/poems/poems.cfm?45442B7C000C07010E77.
____. E-text of “Harlem. inches Available at http://www.csustan.edu/english/reuben/pal/chap9/hughes.html.
____. E-text of “The Negro Echoes of Estuaries and rivers. ” Available at http://www.vmlinux.org/ilse/lit/hughes.htm.
Lund, E. (2002). “Langston Barnes set poems jazz into a beat. ” Christian Science Monitor, Vol. 94, Concern 66.
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